After successful 2016 and 2017 events in Philadelphia, Writing Day Workshops is excited to announce The 2018 Philadelphia Writing Workshop — a full-day “How to Get Published” writing event in Philadelphia, PA on November 17, 2018.
This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2018 Philadelphia Writing Workshop!
WHAT IS IT?
This is a special one-day “How to Get Published” writing workshop on Saturday, November 17, 2018, at the Sonesta Philadelphia Downtown Rittenhouse Square. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.
This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s agent faculty so far includes:
- literary agent Moe Ferrara (BookEnds Literary)
- literary agent Stephany Evans (Pande Literary)
- literary agent Marie Lamba (Jennifer Di Chiara Literary)
- editor Lauren Jablonski (St. Martin’s Press)
- literary agent Amelia Appel (Triada US Literary)
- literary agent Kelly Peterson (Corvisiero Literary Agency)
- literary agent Alyssa Eisner Henkin (Trident Media)
- literary agent Cari Lamba (Jennifer De Chiara Literary)
- literary agent Anjali Singh (Pande Literary)
- literary agent Alec Shane (Writers House)
- literary agent Damian McNicholl (Jennifer De Chiara Literary Agency)
- and many more to come
By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Jessica Bell of Writing Day Workshops, with administrative assistance from regional PA writing groups.
EVENT LOCATION & DETAILS:
9:30 a.m. – 5 p.m., Saturday, November 17, 2018, at the Sonesta Philadelphia Downtown Rittenhouse Square, 1800 Market St, Philadelphia, PA 19103. (215)561-7500.
THIS YEAR’S SESSIONS & WORKSHOPS (NOV. 17, 2018):
What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.
Please Note: There will be 2-3 classes/workshops going at all times during the day, so you will have your choice of what class you attend at any time. The final schedule of topics is subject to change, but here is the current layout:
8:30 – 9:30: Check-in and registration at the event location.
BLOCK ONE: 9:30 – 10:30
1. A Bird’s-eye View Publishing & Books in the Year 2018. This workshop is quick and easy overview of the publishing industry today, and how it’s changing.
2. Create New Worlds: A Guide to Writing Science Fiction and Fantasy. Let this session help you understand worldbuilding, the differences between sci-fi and fantasy, the tropes of both genres, when you should follow the rules, when you should break the rules, and more.
3. Self-Editing and Revision. Revision can make or break a book. This presentation will discuss the importance of revision as all stages of one’s career—from beta readers and critique groups to querying agents.
1. Tips on How to Write Like the Pros. This workshop is a thorough crash course concerning craft, style and voice.
2. How to Get a Literary Agent. The class will discuss resources for finding agents, how to ID the best agents for you, query letter writing, and more.
3. Tips for Writing Great Mysteries, Thrillers, and Crime. This presentation will teach you how to keep readers—including agents and editors—turning pages late into the night.
(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)
LUNCH ON YOUR OWN: 11:50 – 1:15
Lunch is on your own during these 85 minutes.
BLOCK THREE: 1:15 – 2:30
1. “Writers Got Talent”—a Page 1 Critique Fest. This is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.
2. How to Sell a Nonfiction Book. This session is completely devoted to nonfiction book proposals.
3. Writing for the Little Ones: How to Craft an Amazing Picture Book For Kids. In this session, we’ll discuss questions to consider before sending a picture book manuscript out in the world.
BLOCK FOUR: 2:45 – 3:45
1. Self-Publishing: How Do You Know if It’s Right for You? So, how do you know if self-publishing is the right thing for you as a writer? Join a successful author who shares the secrets of self-publishing and how to do it right.
2. Breaking the Rules of Writing. What are “the rules” and when is it okay to break them? Let’s look at recent examples of flying in the face of conventional literary wisdom.
3. Keys to Writing Great Young Adult & Middle Grade Fiction. Writing for children isn’t all that different from writing for adults.
(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule page here.)
BLOCK FIVE: 4:00 – 5:00
1. How to Market Yourself and Your Books: Talking Author Social Media, Blogging, and Platform. This session includes easy-to-understand advice on social media (Twitter, Facebook, more), blogging, and other simple ways you can market your work online.
2. Talking Craft and Revision. This session will discuss common manuscript problems as well as tools you can use to create the manuscripts that will get the attention you want from agents and editors—and readers.
3. How to Write and Sell Romance in Today’s Market. This session will address important topics and tips for writers of romance.
SESSIONS END: 5:00
At 5 p.m., the day is done. Speakers will make themselves available by the workshop’s bookstore for a short while to sign any books for attendees.
Agent & Editor Pitching: All throughout the day.
PITCH AN AGENT OR EDITOR:
Moe Ferrara is a literary agent with BookEnds Literary Agency. Moe is interested in books for middle grade, young adult, and adult readers in most genres–especially science fiction, fantasy, contemporary, and light horror. The right contemporary or paranormal romance (sans-vampires of course) will spark her interest. She’s LGBTQ friendly, so send her that male/male erotic romance in your back pocket. Learn more about Moe here.
Alec Shane is a literary agent with Writers House. “On the fiction side, I love mysteries, thrillers (although I’m experiencing a bit of terrorist fatigue at the moment), bad-ass protagonists with a chip on their shoulders, beautifully told historical fiction (The Vietnam War, the Maccabees, and The American Revolution fascinate me in particular), well-researched adventure stories, and great horror. In terms of children’s books, getting boys to read again is especially important to me, and thus I’m particularly on the lookout for a fun middle-grade adventure series, ghost story, or anything else geared toward younger male readers. On the nonfiction side, I’m attracted to odd, quirky histories, military history, biographies of people I didn’t even know existed (but definitely should have), ‘guy’ reads, humor, narrative nonfiction that sheds light on under-the-radar events and lifestyles, and all things sports.” Learn more about Alec here.
Stephany Evans is a literary agent with Pande Literary. Stephany has represented nonfiction writers in the areas of health and wellness, spirituality, lifestyle, food and drink, and sustainability, running and fitness, memoir and narrative nonfiction. She also represents a range of women’s fiction, from literary to upmarket commercial, to romance, as well as crime fiction (mysteries, thrillers), and the occasional literary or commercial novel not aimed at a female market. She is looking for fine, accomplished writing, whether the work is by a first time or established author. She loves to be told a great story! Learn more about Stephany here.
Amelia Appel is a literary agent with TriadaUS Literary. For adult fiction, she is most interested in literary fiction, mystery, thriller, upmarket women’s fiction, science fiction and fantasy, and horror. Projects with a smart, distinct voice, a fantastic setting to jump into, and/or a witty protagonist are all up her alley. She is not looking for romance novels. For adult nonfiction, she is primarily looking for creative (narrative) nonfiction, humor, sports, how-to, pop culture, and true crime. She is not looking to represent memoir. For YA, she is particularly interested in stories with a savvy protagonist and a slightly dark tone that deal with serious coming-of-age issues well. Learn more about Amelia here.
Lauren Jablonski is an assistant editor at St. Martin’s Press, part of Macmillan. Lauren is interested in acquiring commercial fiction and nonfiction for both young adult and adult. She enjoys contemporary, historical, fantasy, sci-fi, dystopian, romance, thrillers and anything with a unique voice — especially works that promote strong female characters, inclusion, and diversity. In nonfiction, she is interested in quirky, gifty, and celebrity projects as well as memoir, pop-science, business, and projects about strong women. She loves being sucked into worlds she knows nothing about. Learn more about Lauren here.
Marie Lamba is a literary agent with The Jennifer De Chiara Literary Agency. What she is looking for: ”I’m currently seeking middle grade and young adult fiction and nonfiction, especially with diverse points of view, or a STEM tie-in. I also want general adult fiction and women’s fiction. I’d love to find an original women’s novel that would inspire the next smart and funny chick flick. I want memoirs with strong voices and unique, inspiring stories (especially foodie memoirs, or ones with a celebrity or pop culture connection). I also represent a select number of established illustrators and picture book authors.” Learn more about Marie here.
Kelly Peterson is a literary agent with Corvisiero Literary. She represents middle grade, young adult, new adult, and adult. In middle grade, she seeks adventure, fantasy, and sci-fi with a lot of humor. In young adult, she seeks all sub-genres with an emphasis on fantasy, sci-fi, and diverse voices. In new adult and adult, she seeks contemporary romance that makes her sob uncontrollably. She specifically loves strong and witty voices, independent female characters, and a lot of action. Learn more about Kelly here.
Alyssa Eisner Henkin is a literary with Trident Media. She represents the entire spectrum of kidlit: picture books, middle grade, and young adult. In middle grade and young adult fiction and memoir, Alyssa craves tight plotting, lyrical prose, rich regional flavors, and unexpected conclusions. She especially enjoys mysteries, period pieces, contemporary school-settings, issues of social justice, family sagas, eerie magical realism, and retellings of classics. On the picture book front, Alyssa is considering texts alone as well as fully-illustrated dummies. She adores rhyming stories when they gracefully roll off the tongue. She’s also drawn to biographies, fresh spins on seasonal themes, and inventive premises that make one stop, think and laugh. In kidlit nonfiction, history and STEM/STEAM themes are always intriguing. Alyssa would also love to find a series with the interactive spirit of a trivia game. Learn more about Alyssa here.
Cari Lamba is a literary agent with The Jennifer De Chiara Literary Agency. Children’s novels: “I’m interested in middle grade fiction with wacky plots (Roald Dahl is a favorite of mine) and characters that drive the story. I would also like contemporary stories that are both humorous and heartfelt. Both fiction and nonfiction picture books are welcome. I’m looking for unique ideas with fun and quirky elements as well as sweet, endearing picture books. In nonfiction I’m especially looking for strong female role-models. For adult fiction, “I’m looking for commercial fiction with original plots and clever characters. While I’m not interested in romance novels, elements of romance are welcome. I also have particular interest in mystery/detective fiction, and novels with culinary ties. I’m NOT interested in science fiction, horror, high fantasy, Christian fiction, political novels, or books with extremely violent elements.” Learn more about Cari here.
Anjali Singh is a literary agent with Pande Literary. As a literary agent, she is looking for new voices, character-driven fiction or nonfiction works that reflect an engagement with the world around us, literary thrillers, memoirs, YA literature and graphic novels. She is a member of the International Committee of the Brooklyn Book Festival. Learn more about Anjali here.
Damian McNicholl is a literary agent with Jennifer De Chiara Literary Agency. He is looking for great nonfiction and fiction that appeals to a wide audience and makes people think, laugh, and sob. In fiction, his interests are accessible literary, upmarket commercial, historical, and some offbeat/quirky stories. Nonfiction interests are memoir, biography, history, investigative journalism and current events especially cultural, legal as well as LGBT issues that can help lead to meaningful change in society. Learn more about Damian here.
More 2018 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)
$169 — EARLY BIRD base price for registration to the 2018 PWW and access to all workshops, all day. As of October 24, 2017, registration is now OPEN.
Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are four quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)
“I signed with my agent, Patricia Nelson, after
meeting her at the Arizona Writing Workshop.”
– writer Axie Oh
“I officially signed with agent Renee Nyen of KT
Literary. I met her at the Colorado Writing
Workshop.” – writer Jessie Hilb Akos
“After taking pitches at the Michigan Writing
Workshop, I signed writer Kyle Prue as a new
client.” – literary agent Veronica Park
“After taking pitches at the Alabama Writing
Workshop, I met Erin Hollis at a pitch session, and
she is now my newest client.” – agent Julie Gwinn
Add $69 — for an in-depth, personal critique of your one-page query letter from Brian Klems, one of the day’s instructors. (This rate is a special event value for Philadelphia Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?
Add $79 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. Options:
- Critique options forthcoming.
How to pay/register — Registration is now open. Reach out to workshop organizer Jessica Bell via email: WDWconference@gmail.com, and she will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by either PayPal or check. Because Jessica plans different workshops, make sure you note that you’re inquiring about the Philadelphia workshop specifically.
Because of limited space at the Sonesta Philadelphia Downtown Rittenhouse Square, the workshop can only allow 200 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later.
Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.
How to Register: The easy first step is simply to reach out to workshop organizer Jessica Bell via email: WDWconference@gmail.com. She will pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The PWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Jessica plans different workshops, make sure you note that you’re inquiring about the Philadelphia workshop specifically.
Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already edited your work.)