THIS YEAR’S SESSION & WORKSHOPS:
8:30 – 9:30: Check-in and registration at the event location. Check in and get comfortable.
There will be 3 classes/workshops going at all times during the day. Agent pitches and critique consultations overlap with the sessions below. The schedule of presentation topics below is subject to change and updates:
BLOCK ONE: 9:30 – 10:30
1. How to Write a Damn Good Query Letter, taught by Eric Smith. In this lively workshop, a literary agent will guide you through some of the key dos and don’ts of putting your best self forward in your query letter. Can you be funny? Is there such a thing as being too clever? How much do rhetorical questions suck? [A: yes, yes, and a lot.] We’ll cover these questions and more and offer tons of insight from the agent’s side of the desk, so you can ensure that your query stands out (in a good way.)
BLOCK TWO: 10:45 – 11:50
1. How to Write Great Romance Novels, taught by Xio Axelrod. Romance is the largest literary genre. Like all genres, it’s got its nuances, its reader expectations and its hidden pitfalls. We will deep dive about the tropes and requirements as well as the changing expectations of the most successful of all genres. We’ll talk about the highs, the lows, and the black moments that all go into writing a successful romance novel. Hint: It’s all about the characters, gang.
LUNCH ON YOUR OWN: 11:50 – 1:15
Lunch is on your own during these 85 minutes. There are lots of options, including onsite restaurants, and nearby places to eat.
BLOCK THREE: 1:15 – 2:30
1. “Writers Got Talent”—a Page 1 Critique Fest (Wyeth C), with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission. Get expert feedback on your incredibly important first page, and know if your writing has what it needs to keep readers’ attention. All attendees are welcome to bring pages to the event for this session, and we will choose pages at random for the workshop for as long as time lasts. All submissions should be novels or memoir—no prescriptive or picture books. Do not send your pages in advance. You will bring printed copies with you, and instructions will be sent out approximately one week before the event.
2. The Dos and Don’ts of Pitching Picture Books: What Agents and Editors Need to See, taught by Kelly Andrews. I’ll answer questions like; Do I need to work with an illustrator to develop my story? How many pages should a picture book be? What’s trending right now? Then, we’ll go into how best to pitch you picture book, answering questions like; What’s going to catch an agent’s eye? Are comparison titles really that important? And, what should I look for when researching agents?
BLOCK FOUR: 2:45 – 3:45
1. So You’ve Finished Writing and Revising Your Young Adult / Middle Grade Novel — Now What? by Julie Eshbaugh. An in-depth look at how to get your book published, from joining the writing community and crafting a head-turning query letter, to finding the right agent and surviving the submission process. While this class will focus on the route to traditional publication, we will also discuss the pros and cons of traditional publishing vs. self-publishing, and provide resources for those who want to know more about self-publishing, as well as online and print resources to help give your book its best fighting chance in the world of traditional publishing.
2. Subsidiary Rights — What are They, and When Does It Make Sense to Retain? taught by Bibi Lewis. In this workshop I will outline the key subsidiary rights (foreign, audio, book club, first serial etc.) and teach authors the ins and outs of retaining and reselling rights. When is it important to put up a fight? Which of my works will be sellable in other territories or formats? Who is my best bet to sell these rights (answer, agents!) Sub rights are a major source of potential income for authors and as we all know, knowledge is power. This is increasingly an important topic as authors blur the lines between self pubbed and traditionally pubbed. Everyone can benefit from knowing their rights!
BLOCK FIVE: 4:00 – 5:00
1. How to Create Suspense in Your Mystery or Thriller, taught by Lisa Regan. In this class we will discuss the definition of suspense and the form it takes in different crime fiction sub-genres (i.e. mystery, thriller, police procedural, psychological thriller, etc.). You will learn how to use various elements of writing such as the plot, setting, dialogue, and character development to create, build, and heighten suspense throughout your novel. You will also learn tips and tricks for pacing your novel to avoid losing momentum in the middle of the story. Finally, you will learn how to keep the reader engaged and breathless until the very last page.
MORE CLASSES TBA
SESSIONS END: 5:00
At 5 p.m., the day is done. Speakers will make themselves available by the workshop’s bookstore station for a short while to sign any books for attendees.